Medieval musicology

Est fatuum spernere. Hipótesis sobre una pieza del códice de Las Huelgas Cuadernos de Música española e Hispanoamericana 27, 2014, pp. 11-26

Medieval Music / Cistercians / Avignon Papacy / Ars nova / Medieval musicology / Medieval Polyphony / Cistercian nuns, middle ages / Medieval Polyphony / Cistercian nuns, middle ages

Señoras y abadesas en el contexto del códice de Las Huelgas Allegro cum laude. Artículos en homenaje a Emilio Casares Rodicio, Madrid, ICCMU, pp. 273- 282

Medieval Iberian History / Medieval Music / Cistercians / Medieval musicology / Cistercian nuns, middle ages / Cistercian monasteries

\"Transmitting a Compositional Process: Two Thirteenth-Century Motets.\" Musica Disciplina 58 (2013): 327-49

Musicology / Medieval Music / Ars Antiqua Motet / Troubadour and Trouvère Song / Motets / Medieval musicology / Ars Antiqua / Medieval musicology / Ars Antiqua

\'Hispania vetus\', recensión

Catalan Studies / High Middle Ages / Liturgical Studies / Gregorian Chant / Christian liturgical music / Codicology of medieval manuscripts / Liturgical History / Late Antique Liturgy / Medieval Spain / Wisigothic Scripture / Early Medieval Liturgy / Medieval Liturgy / Manuscript studies, codicology, palaeography, medieval paper, Chaucer, circulation of texts and books, history of the book, electronic editing and digital humanities / Medieval Catalonia / Neumatic Notations (music) / Medieval musicology / Aquitanian notation / Wisigothic history / Medieval Musical Notation / Early Medieval Liturgical Manuscripts / • Paléographie musicale | Chant « grégorien » | Sténographie latine | Notes tironiennes | Boethius : De musica | Processus cognitif • / Mythe néo-wisigothique / Codicology of medieval manuscripts / Liturgical History / Late Antique Liturgy / Medieval Spain / Wisigothic Scripture / Early Medieval Liturgy / Medieval Liturgy / Manuscript studies, codicology, palaeography, medieval paper, Chaucer, circulation of texts and books, history of the book, electronic editing and digital humanities / Medieval Catalonia / Neumatic Notations (music) / Medieval musicology / Aquitanian notation / Wisigothic history / Medieval Musical Notation / Early Medieval Liturgical Manuscripts / • Paléographie musicale | Chant « grégorien » | Sténographie latine | Notes tironiennes | Boethius : De musica | Processus cognitif • / Mythe néo-wisigothique

Antoni Rossell, “Romances, baladas y materia caballeresca. Tradición oral, interpretaciones tradicionales y contemporáneas,” en De cavaleiros e cavalarias. Por terras de Europa e Américas, Humanitas (Sao Paulo, Brasil, 2012), pp. 111–34.

Adaptation / Traditional Music / Folk Music / Medieval Music / Romances / Orality and Literacy / Music and Adaptation / Sephardic music / Cape Breton Folk music / Medieval musicology / Galician Traditional Music / Cantigas / Juan del Enzina / Romancero Pan-hispánico / Traditional Spanish Music / Traditional Latinoamerican Music / Music and Innovation / Occitan Music / Amancio Prada / Paco Ibáñez / Orality and Literacy / Music and Adaptation / Sephardic music / Cape Breton Folk music / Medieval musicology / Galician Traditional Music / Cantigas / Juan del Enzina / Romancero Pan-hispánico / Traditional Spanish Music / Traditional Latinoamerican Music / Music and Innovation / Occitan Music / Amancio Prada / Paco Ibáñez

Oralidad y recursos orales en la lírica trovadoresca: texto y melodía. La oralidad, un paradigma eficiente,” en La voz y la memoria. Palabras y mensajes en la tradición hispánica, Fundación Joaquín Díaz (Urueña, España, 2006), pp. 36–65.

Romance philology / Orality-Literacy Studies / Linguistic and Musical Analysis / Music analysis / Structural Analysis / Orality and Literacy / Troubadour and Trouvère Song / Medieval musicology / Troubadours / Orality and Literacy, Meditation and Memory, Medieval Reading / Orality and Literacy / Troubadour and Trouvère Song / Medieval musicology / Troubadours / Orality and Literacy, Meditation and Memory, Medieval Reading

La lírica trovadoresca: una estrategia métrico-melódica (oral) para la difusión de ideas y noticias en la Edad Media. En La voz y la noticia. Palabras y mensajes en la tradición hispánica, Fundación Joaquín Díaz (Urueña, España, 2007), pp. 146–81.

Medieval Music / Catharism / Imitation / Troubadour and Trouvère Song / Medieval musicology / Troubadours / Romance Languages and Literatures / Contrafacta / Metric and Music / Troubadours / Romance Languages and Literatures / Contrafacta / Metric and Music

La música del Amadís de Gaula: la “Leonoreta” y su tradición métrico-melódica

Romance philology / Amadís de Gaula / Musical Analysis / Literatura Española Medieval / Medieval musicology / Comparative Litterature

Literatura y oralidad: música, lenguas e imitación intersistémica

Orality-Literacy Studies / Intertextuality / Imitation / Plurilinguisme / Troubadour Studies / Medieval musicology / Contrafacta / Intermelodicity / Medieval musicology / Contrafacta / Intermelodicity

Analisi Funcional de les campanes de la Seu de Mallorca a l\'edat mitjana

Soundscape Studies / Bells / Mallorca / HISTORY OF MALLORCA / Medieval musicology / Catedral de Mallorca / Urban musicology / Campanas De Iglesias / Catedral de Mallorca / Urban musicology / Campanas De Iglesias

Poesia e musica tra Due e Trecento

Medieval Music / Poetry and Music / Medieval musicology

\"Proles de caelo prodiit...\" – Adalékok egy ferences himnusz történetéhez – Zenetudományi Dolgozatok 2013-2014 (Summary in English included)

Franciscan Studies / Plainchant / Medieval Music / Gregorian Chant / Christian liturgical music / Hymnology / History of the Franciscan Order / Medieval musicology / Medieval Franciscans / Medieval liturgical music / Hymnology / History of the Franciscan Order / Medieval musicology / Medieval Franciscans / Medieval liturgical music
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